Studiologic Sledge 2.0 Manual Uživatelský manuál Strana 41

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SLEDGE by Studiologic® 41
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Modulation / Glide
Shape: by using the Shape button, the user can select the
related shape of the Modulating waveform, from the Saw-
tooth to the Random generator; please note the a sine wave
or a triangle is generally used for obtaining symmetrical ef-
fects (such as Vibrato or Tremolo) while the other shapes are
selected by the users taste or sound research targets. The
Speed and Depth controls do eect the related parameters.
Destination: this button selects the parameters that the user
wants to be modulated by the LFO. The 2 LFO’s do have sepa-
rate controls and all parameters (speed, depth and destinati-
on) can be set separately.
The OSC destination allows to obtain a frequency modula-
tion of the selected oscillator, with the following sequence:
OSC1 - OSC 1+2 – OSC 1+2+3 – OSC 2+3 – OSC 3. After this
sequence, that allows most of the needed combinations, the
destination can be sent to all other parameters (PWM-VOLU-
ME-CUTOFF) by simply pressing the Destination button.
Mod. Wheel: the Modulation wheel is under a total user’s
control and, selecting the related destination, all kind of mo-
dulations can be assigned. Please note that the functions, se-
lected for the Modulation control, is also generally assigned
to the After-touch function of the keyboard, obtained by
pressing the keys with an extra force, after playing any note.
LFO1/LFO2/WHEEL
GLIDE
MODULATION
LFO1, LFO2, WHEEL
GLIDE
ON/OFF, RATE
The Glide On/O button enables or disables the related ef-
fect, that can be described ad a continuous gliding from one
note to another. This eect can be created on fretless strin-
ged instruments or some brass instruments (e.g. trombone).
It is very common on synthesizers and used throughout all
music styles. Please note that Glide aects the pitch of all
oscillators and the Rate potentiometer allows to control the
related timing. As explained, when the function “Single is
selected in the Mode area, the Glide eect is applied only on
notes played legato, allowing a very useful real time perfor-
mance for solos.
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